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, an award-winning affiliate program and subsidiary of Gamma Entertainment, announces the world premiere of Anal Acrobats #09 from director Jay Sin on EvilAngel.com.
Comprised of six scenes loaded with the industries best anal gapers and winkers, Jay Sin continues to push the limits with the Anal Acrobats series. Also included are four behind-the-scenes clips that make for an amazing bonus section of this release. Starring in Jay Sin’s Anal Acrobat #09 is Roxy Raye, Amber Rayne, Holly Hanna, Bonnie Rotten, Sarah Shevon, Adriana Chechik, Gabriella Paltrova, Lea Lexis, Isabella Clark, Alysa, Casey Calvert, and Jynx Maze.
“Jay Sin takes extreme ass play to the next level in Anal Acrobats #09,” said Affiliate Manager Derrick Gilbert. “There’s a huge market for the anal niche, and this is sure to do well with new surfers.”
You may occasionally find yourself wondering about the capacities of the human asshole. If you do, Jay Sin is here to answer your questions in Anal Acrobats #3. How big a ball can the average stuff in her pooper without rupturing the delicate muscles of the sphincter? How many times can she squeeze it in and out before her membranes give up the ghost and retire to the country? Will another girl take that ball, or that apple, or that toy, in her mouth and then shove it back up the first girl’s asshole using her tongue? How much cock can a girl take after that much callous abuse of her dumper? The answers (big, plenty, yes and all of it, respectively) to these questions and more are in Jay Sings Anal Acrobats, the movie that shows you all the exercises you need to learn to be an accomplished anal acrobat yourself. Don’t try this at home, unless you have Tory Lane, Ariel X, Sasha Grey, Holly Wellin, Jayda Diamonde, Mya Nichole, Aline, Loona Luxx, or Jenny Hendrix to help you out.
Audio/Video Quality: Anal Acrobats 9 was presented in anamorphic widescreen color as shot by director for The flesh tones were decent and the composition of the shots was not always the best for the ladies but the anal tricks that so fascinated director Jay Sin were obviously the most important thing to capture for him; this being his core audience. Still, the action was clearly recorded and the raw energy of the cast was caught better than I expected; making it a decent looking fuck flick in most ways, the editing showing some care going into the final product. The audio was presented in 2.0 Dolby Digital English, the lack of separation and dynamic range meaning the audio was a bit flatter than hoped for. It was low end audio for the most part but given the gonzo niche of the movie, this is to be expected. The musical interludes were pretty decent though and added to the fun but they did not last long for those who care.


















