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During the time between shooting the pilots for , Parker penned the script for a film titled , which later entered production. Half of the budget for the picture came from a Japanese porn company called Kuki, who wanted to feature its performers in mainstream Western media. Independent distributor purchased the rights to the film for one million dollars after its screening at the . The film received an NC-17 rating from the , which resulted in the poor box office performance of the film. Parker and Stone attempted to negotiate with the organization on what to delete from the final print, but the MPAA would not give specific notes. The duo later theorized that the organization cared less because it was an independent distributor which would bring it significantly less money.

The pilot episode of was made on a budget of $300,000, and took between three and three and a half months to complete, and animation took place in a small room at Celluloid Studios, in , Colorado, during the summer of 1996. Similar to Parker and Stone’s Christmas shorts, the original pilot was animated entirely with traditional animation techniques. The idea for the town of South Park came from the real where, according to the creators, a lot of folklore and news reports originated about “cattle mutilations and UFO and bigfoot sightings”.

Parker and Stone, alongside writer-composer , began working on a musical centering on during the production of . Lopez, a fan of and creator of the puppet musical , met with the duo after a performance of the musical, where they conceived the idea. The musical, titled , was worked on over a period of various years; working around their schedule, they flew between and Los Angeles often, first writing songs for the musical in 2006. Developmental workshops began in 2008, and the crew embarked on the first of a half-dozen workshops that would take place during the next four years. Originally, producer Scott Rudin planned to stage at the in summer 2010, but opted to premiere it directly on Broadway, “[s]ince the guys [Parker and Stone] work best when the stakes are highest.”

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